The section of the book dealing with prolonged depression is spliced with the therapeutic illustrations produced during that period, which, for those concerned, was almost a decade before the publication of Marbles.Ī theme of sacrificing creativity to stabilise mental health recurs throughout, with Van Gogh identified as an example of wild and still stunning inspiration coming at the cost of cognitive impairment. On the basis of its personality-suppressing characteristics Forney’s extremely reluctant to start taking lithium, but eventually recognises morbid circumstances and consents. The early pages have a vibrant intensity, as if Forney is sharing her notebook, and a confessional compulsion, but once the stage of lithium prescription has been reached it largely reverts to a more conventional panel structure.

There’s a deliberately staged progression to the art. Forney accepts the diagnosis and even ascribes a romantic sheen by association with numerous creative sufferers from the past, while glossing over how many had committed or attempted suicide. This comes as a considerable surprise, yet it’s consistent with almost all the signposts listed in the clinical diagnosis books, and has been common to a troubled family history on her mother’s side. Marbles falls squarely within the genre, yet holds an importance for a frank discussion of illness so little understood.Įllen Forney immediately adopts an intimate tone as her diagnosis of having bipolar disorder occurs early. The derisive category description belittles traumatic personal circumstances, past or present, yet the books share sometimes shocking, sometimes stomach-turning confessional experiences. A 21 st century book publishing phenomenon has been the popularity of the ‘misery memoir’, predominantly, although not exclusively, written by women, with Angela’s Ashes (by a man) the most notable example.

Marbles mania depression